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The Goddamn Band Album

by The Goddamn Band

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1.
Burnt Lip 04:24
Took too long a hit and I burnt my lip Two hands on the hips ain’t boy’s business “I’m not ashamed of the games that I play” she said Something’s apparent in all subtle ways Love can exist it’s the simplest of tricks On the doubtful days don’t question it Surround your person with beautiful friends Around the table we’re glorious men We all wanted sun for the warmth it would bring Our tattered, expectant thoughts brought on by the principle of Spring You were a youth you were a supple gown So tentative, seldom around I was an impulse like my father’s gun Shooting leaves as they fell to the ground I’ve found I’d rather be widowed than killed by your leave There is so much to to be said about drowning things Ignore your troubles with copious drugs She said, “my other cheek compensates for your lack of love” I’ll never get high if I burn both ends Guess that wanting it all his its consequence Know I’ll be happy with beautiful friends We’re soon to grow into glorious men
2.
Dress It Up 04:30
I was so sure she’d grow weary of me I was so sure I have an unordinary amount of energy inside of me but, then again, she tends to fiddle with most everything that she can get her hands on Well, she should get her hands on me She should get her hands on me So, should we keep this as it is or make it more impressive? Dress it up in something so festive it can hardly breath At the party we’ll part ways, she will mingle with the company, and then we’ll reconvene She will put her hands on me She will put her hands on me
3.
Her Highways 03:50
She takes so much pride in her Her knowledge of highways She drives them She drives them with her friends Every city and skyline they drive by Reminds them of pear shapes and waist lines We waste time Wondering if this is alright You know, the Golden Gate’s right out of town That is, if you’re around I could drive you up Then drive you back down, if you’re around She wears a scarf around her head Like my grandmother did, as the cancer just hid Somewhere in her breast In her breast, and it left her dead
4.
When they took your picture You raised your brow on the right Not sure if it could properly show life Is my fashion too much or not enough like everybody else? Have I just spent too much time by myself? We’re so inconsequential Too many humans to place blame I just want my son to know my name Hope this generation can save face, you know, History has such standards of taste Neither the place nor the time Besides, we’re not in the right mind We feel alone but we share lack of light That’s how it goes in the nighttime, you know, everybody’s blind, Your right in front of me but out of sight
5.
I'm Tempted 05:09
I tried all her limbs on for size I kissed and bit every inch not clothed Now and again she would open her eyes, and we spoke, "I haven’t had a tongue in my ear in over a year" Give it to me, I need immunity I’m so impressed with these women so infested with germs I used to get so hung up on that feeling of birth when introduced to the earth I must have been so young to suffer then, knowing that it would end I tried all her limbs on for size I need to make sure I got exactly what I payed for Having shared her bed, I’m confident, but I will keep all my wits I had grown so used to skating on thin ice, I thought that that was life
6.
Cars startle gravel in the drive as if they had someplace to go He takes the ink and sets to think of a home, someplace like San Francisco The skyline is written on his arm He can see it when this town has lost its charm His hand’s still scarred, it’s clear, from last year When he tried to impress Filled a cup up with pills for a woman Already undressed The rosary dangles from her palm She don’t believe in God but it makes her feel calm And she says, “Hey, I know what’s going on, But still I’d like a carpenter of a kid” He says, “Hey, come here baby, We will make a skyline of your hips” And she says, “Hey, I know what’s going on, But still I’d like a carpenter of a kid” He says, “Hey, come here baby, We will make a skyline of your hips” He says, "Hey, come here, baby, we will make a skyline of your hips" "Hey, come here, baby, we will make a skyline of your hips"
7.
Is it safe to say that you went away When I know that you just left The sentiment of a foregone friend Though it pains us we must accept The passing tide of a knot untied Inspires questions of length of life Euphemisms explain bad decisions Why do we do what we do? Just then you were gone Like a star that’s been stared at too long Or the picture on a napkin you drew While we were waiting for our food Then it all went straight out the door Just like Kristina on the forest floor A moment she’d not soon forget It’s that important Is it safe to say that you passed away When I know that you just died The tipped chair left beneath your lack of breath You hung yourself in this park The only silence besides, well, implied violence Was your heart, was your heart, was your heart Just then you were gone Like a star that’s been stared at too long Or the picture on a napkin you drew While we were waiting for our food Then it all went straight out the door Just like Kristina on the forest floor A moment she’d not soon forget It’s that important
8.
39 02:29
39 takes me where I need to be, between cartons of cigarettes and gallons of gasoline Riding the line to the downtown, allows us small boys to feel so grown up with fistfuls of adult stuff In the coffee shop, you tore the filter off your cigarette Tobacco set to flame, what’s your name? What is your name? Sip dose of caffeine, Charles Bukowski could not care less Express disinterest in this drawn out process of age The table beneath your book’s disabled, it needs a lift New York Times beneath the leg, it’s now stable for the day
9.
This Jockey 02:16
I hope this jockey knows what’s best It’s been fifteen laps of unbearable stress I’ve got a dime or two I’m not prepared to lose I changed some plans to have you I’m quite convinced that we will place She feels so free to eat off of my plate She stripped her nails of paint because she heard my taste She said I want you to have your way When I crossed the line I'm draped in years of being neither here nor there Ya, this surely calls for a toast I know a place off Tennessee and Oak She made no reservation but I sat her at a table This girl will know no waiting This girl will know no waiting I spit my sip back in to my ceramic cup When she says such brilliant stuff And then we take turns cracking up
10.
That dress, yes that dress, it makes you Look so hard to talk to Her fucks were few and far between So she moved to the country Wanted a man with some ugly teeth Why not me? I’ll be a racehorse in my second life, retired Here’s your pasture, we appreciate your tenure Seems all I do is wait for some kind of savior As I grow, hope to abandon that behavior Scantily clad, so apropos Got a cowboy hat and too long a rope She’ll come home soon, I hope I want a face I can understand A girl that’ll treat me like the one man She’d been searching for for a while

credits

released June 8, 2014

Recorded in KLC Studios at Lewis and Clark College
Engineered by Alec Speckenbach and Nick Pimentel
Mixed by Jesse James Robertson
All songs written by The Goddamn Band
All lyrics written by Nick Pimentel

The Goddamn Band, this time, was:

Leif Christiansen on Bass
Claire Hinkley on Violin and Voice
Brendy Hale on Drums
Alec Speckenbach on Saxophone
Nick Pimentel on Guitar and Voice

www.thegoddamnband.com

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The Goddamn Band Portland, Oregon

The Goddamn Band is, well, a band.

Kinda jazzy rock.

Western US.

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